作者：(日本)山冈庄八 译者：岳远坤 陈都伟
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Additional resources for 德川家康03：天下布武(Tokugawa Ieyasu, Book 3)
Put a little more precisely, my opinion is this. The mind is delicate in as much as it requires hurdles-accidental obstacles. By itself, it goes astray and destroys itself. It seems to me this mental "erosion", this inner pilfering, this "destruction" of thought "within its own matter" affecting you, is caused solely by the excessive freedom you allow it. The absolute is the source of its disorder. To be taut, the mind requires a landmark, an encounter with the blessed opacity of experience. The only cure for madness is the simplicity of facts.
First, however, let us describe the characters, give them a physical appearance, a voice and costume. Paul the Bird's voice is inaudible, he walks like an insect and his robe is too big for him. Brunelleschi, on the other hand, has a real stage voice, deep and fruity. He looks like Dante. Donatello is somewhere between the two. St. Francis of Assisi before the Stigmata. The action takes place on three levels. No need to tell you Brunelleschi is in love with Paul the Bird's wife. Among other things he blames him for letting her starve to death.
It gives proof of its existence from time to time, but no one wants to acknowledge these proofs are weak and lacking interest. But for me, thinking is something else besides being not quite dead, it means being in touch with oneself every moment. It means not to stop feeling oneself within one's inner being for one second, in the unformulated mass of our lives, in the stuff of our real lives. It means not feeling this fundamental chasm, this vital lack in oneself, it means always finding our thinking equal to our thinking, however insufficient the forms we are able to give them may be in other respects.
德川家康03：天下布武(Tokugawa Ieyasu, Book 3) by 山冈庄八