Caroline Bainbridge's A Feminine Cinematics: Luce Irigaray, Women and Film PDF

By Caroline Bainbridge

ISBN-10: 0230553486

ISBN-13: 9780230553484

This well timed e-book presents new insights into debates round the dating among girls and picture by means of drawing at the paintings of thinker Luce Irigaray. Arguing that female-directed cinema presents new how one can discover rules of illustration and spectatorship, it additionally examines the significance of contexts of construction, path and reception.

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Extra info for A Feminine Cinematics: Luce Irigaray, Women and Film

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The extreme style of Irigaray’s writing may be interpreted as an attempt to represent the excess of the feminine, the excess that goes beyond the boundaries of representation. Irigaray makes use Reading the Feminine with Irigaray 21 of stylistic devices to represent this metaphorically, a strategy that can be used in the analysis of cinema by considering the importance of style, camera-work and editing patters in the construction of spaces for the feminine, as later chapters will suggest. Irigaray deliberately takes on the role of the hysteric in an attempt to reveal the specificity of the feminine and of female subjectivity.

Mediation becomes closely bound to those other utopian areas of Irigaray’s work which seem to function only at the level of theory. Attempting to combine ideas about how representational genres are constituted within symbolic practices, however, and efforts to furnish the feminine with metaphors and images that are already existent within the symbolic frame, show how it is possible to begin to work with Irigaray’s thought. Irigaray’s work on mediation, and especially on angels, is closely related to her concept of the divine and its significance in understanding the techniques of symbolic organisation that persistently disable female subjectivity.

Many of her texts are richly poetic in style and depend upon a manipulation of typographical conventions to disrupt the traditional flow of reading. The extreme style of Irigaray’s writing may be interpreted as an attempt to represent the excess of the feminine, the excess that goes beyond the boundaries of representation. Irigaray makes use Reading the Feminine with Irigaray 21 of stylistic devices to represent this metaphorically, a strategy that can be used in the analysis of cinema by considering the importance of style, camera-work and editing patters in the construction of spaces for the feminine, as later chapters will suggest.

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A Feminine Cinematics: Luce Irigaray, Women and Film by Caroline Bainbridge


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