By José Eduardo Agualusa
Title note: unique name Teoria Geral do Esquecimento
Publish 12 months note: First released in 2012
As the rustic is going via a variety of political upheavals from colony to socialist republic to civil struggle to peace and capitalism, the realm outdoors seeps into Ludo's lifestyles via snippets at the radio, voices from round the corner, glimpses of somebody peeing on a balcony, or a guy fleeing his pursuers.
A common thought of Oblivion is a superbly crafted, wild patchwork of a unique, enjoying on a love of storytelling and delusion.
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Additional info for A General Theory of Oblivion
Vol. 2, p. I 05) Here, it appears, we have a form and tone instantly recognisable to the twentieth-century reader of women's magazines. The magazine functions as surrogate 'family', providing an intimate and private space for the discussion of issues to which even, or perhaps especially, a mother cannot be made privy. The next three chapters outline the appearance and development of the women's magazine from the late seventeenth century to the present day. Despite the striking continuity this early example of the 'agony column' illustrates, we will also seek to highlight and analyse significant differences in the history of the construction of a new genre directed at the woman reader.
Jameson's preoccupation here is with the management of class conflict in film but his attention to the political signification of unconscious desire is surely suggestive for a feminist reading of popular culture's management of gender conflict. There is a paradox, however, in Jameson's attempt to incorporate a psychoanalytic and marxist perspective in relation to popular culture. For the psychoanalyst, the deep unconscious structures that generate desire and pleasure are pre-given and untransformable.
While any one cultural text offers a multiplicity of meanings to its reader, ultimately not just any meaning can or will be drawn from it. Readings are 'structured in dominance', offering a pattern of 'preferred' options in line with the 'preferred' institutional, political and ideological order (Hall, 1980, p. 134). This preferred reading legitimates existing inequalities, exerting a normative influence on the consumer, but it is possible for the reader to reject it. This might explain, then, feminists' sense, in their relation to the women's magazine, of reading to some extent 'against the grain'.
A General Theory of Oblivion by José Eduardo Agualusa